MikeS
Pre-takeoff checklist
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- Oct 16, 2014
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MikeS
That's the way Prince does it too. Sterba uses a little lead plug near the hub. Interesting question . . . how others do it.
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> "You would have to use a lot, and I mean A LOT of paint on a propeller to get it out of balance."
I disagree there. It takes hardly anything at all to take a prop from 0.00 IPS to something less perfect, especially if someone is painting their tips.
Throughout the history of aviation pilots and mechanics learned to accept a certain amount of vibration as "normal" on recips. Until the low cost digital equipment showed up sometime after the turn of this century, the mainstay of prop balancing equipment was the very expensive Chadwick-Helmuth which we now know was awful. What balancers using that equipment thought was acceptable in fact meant it was simply "better than it was before" . . . nowhere near as well balanced as can be done with current low cost digital balancers. Chadwick of course has also gone digital and I imagine still costs big bucks based on their name and reputation. They were the only game in town for many, many years.
Those that were really good with their old Chadwick equipment could do a half-assed job, depending on the operator. "Prop" balancing has always been somewhat of an art and remains so today even with our easy-to-use equipment. As someone mentioned, some jobs are easy as pie. Others however can turn a sane person into a drooling madman . . . we've all seen them . . . sometimes hanging around the ramps and runways howling and gesticulating at the airplanes that go by. T-6's and Helio Couriers especially seem to set them off. Since the advent of TSA and the arrival of easy-to-use digital equipment I don't see those poor fellows nearly as often as I once did. But even with digital stuff it can still sometimes put a person over the edge. That's why prop balancing remains somewhat of an art. It's not difficult to master though. You just need your own equipment. And do some reading. For anyone interested in the subject I've attached a very easy to read and understand primer on the subject.
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> "You would have to use a lot, and I mean A LOT of paint on a propeller to get it out of balance."
I disagree there. It takes hardly anything at all to take a prop from 0.00 IPS to something less perfect, especially if someone is painting their tips.
Throughout the history of aviation pilots and mechanics learned to accept a certain amount of vibration as "normal" on recips. Until the low cost digital equipment showed up sometime after the turn of this century, the mainstay of prop balancing equipment was the very expensive Chadwick-Helmuth which we now know was awful. What balancers using that equipment thought was acceptable in fact meant it was simply "better than it was before" . . . nowhere near as well balanced as can be done with current low cost digital balancers. Chadwick of course has also gone digital and I imagine still costs big bucks based on their name and reputation. They were the only game in town for many, many years.
Those that were really good with their old Chadwick equipment could do a half-assed job, depending on the operator. "Prop" balancing has always been somewhat of an art and remains so today even with our easy-to-use equipment. As someone mentioned, some jobs are easy as pie. Others however can turn a sane person into a drooling madman . . . we've all seen them . . . sometimes hanging around the ramps and runways howling and gesticulating at the airplanes that go by. T-6's and Helio Couriers especially seem to set them off. Since the advent of TSA and the arrival of easy-to-use digital equipment I don't see those poor fellows nearly as often as I once did. But even with digital stuff it can still sometimes put a person over the edge. That's why prop balancing remains somewhat of an art. It's not difficult to master though. You just need your own equipment. And do some reading. For anyone interested in the subject I've attached a very easy to read and understand primer on the subject.
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