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Final Approach
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- Feb 22, 2005
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Ben
For instructors, I humbly offer you some thoughts.
For me, I find it far easier to perform the worlds most difficult and intricate music on stage in front of demanding and sophisticated audiences, than teaching a slow learner. I've taught for nearly 30 years, and I've learned a few things, so I thought I'd pass along to the perhaps newer teachers.
What is the difference between Genius and Average, or high and low talent? The short answer, in one word is this: "time."
I'll frame that by demonstrating the extremes. I have had students who lacked in every sense: they couldn't keep a beat, couldn't hear if they were playing out of tune or not, disregarded dynamics, and most of all, just didn't understand that music was a language, and that they were supposed to be communicating something to me. I have also taught a couple of actual geniuses in my life. Extraordinary. I give them a piece of music, and play it. They play it right back to me, exactly as I did. I barely had to give any instruction beyond talking about stylistic approach or background on the composer. (Incidentally, it is because of this sort of student that I now believe in reincarnation--it is the most rational explanation to me!)
Most students, of course, fall in between these two extremes, and that's where the bulk of our work is. I'm getting ready to write a pedagogical book on cello teaching (I'm sure at least 14 or 15 will be sold!), but my best advice is this: break it down. Select a small element, and break it down into component parts.
After that, it is up to the student. I remember being at New England Conservatory of Music, one of the great music schools of the world, and complaining to my teacher that my buddy only had to practice 3 hours to get done what needed to be done, while I had to do 6 hours. My teacher said, "So what? So, your friend got a car and you got a bicycle. You'll both get there."
Beethoven was NOT a genius. If you look at notebooks, you'll see how he tried many, many versions of a particular melody--some of them downright silly.
Mozart was a bonafide genius. He would let a symphony "brew" in his mind for a few days, then write it down in a rush--in PEN--with no mistakes.
It took me longer than normal to get my PPL, and longer than normal to get my IR, but I got there, because my teacher broke it down, I worked methodically and assiduously, and I trusted that I would be able to do it!
For me, I find it far easier to perform the worlds most difficult and intricate music on stage in front of demanding and sophisticated audiences, than teaching a slow learner. I've taught for nearly 30 years, and I've learned a few things, so I thought I'd pass along to the perhaps newer teachers.
What is the difference between Genius and Average, or high and low talent? The short answer, in one word is this: "time."
I'll frame that by demonstrating the extremes. I have had students who lacked in every sense: they couldn't keep a beat, couldn't hear if they were playing out of tune or not, disregarded dynamics, and most of all, just didn't understand that music was a language, and that they were supposed to be communicating something to me. I have also taught a couple of actual geniuses in my life. Extraordinary. I give them a piece of music, and play it. They play it right back to me, exactly as I did. I barely had to give any instruction beyond talking about stylistic approach or background on the composer. (Incidentally, it is because of this sort of student that I now believe in reincarnation--it is the most rational explanation to me!)
Most students, of course, fall in between these two extremes, and that's where the bulk of our work is. I'm getting ready to write a pedagogical book on cello teaching (I'm sure at least 14 or 15 will be sold!), but my best advice is this: break it down. Select a small element, and break it down into component parts.
After that, it is up to the student. I remember being at New England Conservatory of Music, one of the great music schools of the world, and complaining to my teacher that my buddy only had to practice 3 hours to get done what needed to be done, while I had to do 6 hours. My teacher said, "So what? So, your friend got a car and you got a bicycle. You'll both get there."
Beethoven was NOT a genius. If you look at notebooks, you'll see how he tried many, many versions of a particular melody--some of them downright silly.
Mozart was a bonafide genius. He would let a symphony "brew" in his mind for a few days, then write it down in a rush--in PEN--with no mistakes.
It took me longer than normal to get my PPL, and longer than normal to get my IR, but I got there, because my teacher broke it down, I worked methodically and assiduously, and I trusted that I would be able to do it!