We saw the movie last Friday while in Georgia.
It was --- ok.
It seemed to search for motivation. Is Amelia a Pioneer? Lover? Country Girl gone bad? Daredevil? Genius?
Of course, the screenwriters would say, "All of the above." But there are conventions in film-making, and one is "Limit the number of characters."
The flying scenes suffered from Hollywood expectation syndrome: that is, "Every other film we've seen with pilots has the camera mounted on the glareshield facing the grim, determined hero's visage so we must do the same."
Those scenes were barely convincing. The Eleanor Roosevelt scene was more charming as the camera moved about the cockpit, and provided over-the-shoulder views, which were much more compelling and "real." Most of us who fly can relate to the handoff of control to the neophyte, and the subsequent reaction. While cliche, it made Amelia behave as we would expect a pilot to behave.
The scenes of aircraft in various locations was worth the price of admission (such as the floatplane tied up to a bouy in the mist off the coast of Ireland).
The heavily-loaded takeoff scene in the same airplane was just plain bad.
Richard Gere played Richard Gere in this movie, while Hillary Swank did a credible job convincing me I was watching Amelia Earhart, not Hillary Swank. Though AE's slow speech patterns helped slow the pace of the movie down to an almost-tedious crawl.
The final flight build up was fairly well done, skimming over various treasure-hunter minutae and focusing on the impending loss. The short scene of Fred Noonan breaking down as he knows they are lost helped frame and set the tone. Very well done.
Overall, it was just OK. It's not a re-watch, not a recommandation to non-flying friends.
And If I want to watch gorgeous flying scenes, I drop in 16 Right.